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|10/01/2010: Aquaplanage from the Female Perspective|
|11/12/2009: Aquaplanage Xmas Madness!!|
|14/08/2009: Online Interview with Aquaplanage members|
|28/06/2009: Review from Background Magazine|
|16/05/2009: Review by Music Guru Jeff Perkins|
|13/05/2009: Aquaplanage to be Featured in Classic Rock Presents Prog|
|04/05/2009: Album review in Classic Rock (Issue 131)|
|12/04/2009: Aquaplanage Interviewed on Total Rock Radio|
|04/04/2009: Some More Reviews|
|14/03/2009: Album Review in Musicians Magazine|
|24/02/2009: Robert Illesh featured on alloutguitar.com!!|
04/02/2009: Review by the Dutch Progressive Rock Page
|17/01/2009: International Aquaplanage|
|10/01/2009: Dark Peak Productions|
09/01/2009: Fragile - Warm Up Date 18th January 2009
19/12/2008: CD Baby Review and Featured Album over Christmas!
The following is all
wording by employees of CD Baby in the USA:
We love your "AQUAPLANAGE: Aquaplanage" CD so much that we're going to feature it on the CD Baby front page for a day, and in our Editor's Picks section from now on.
We're *really* picky about what we feature. We receive about 300 new albums a DAY, (over 300,000 total), and yours is one of the best we've ever heard.
THE DATE YOUR CD WILL BE ON THE FRONT PAGE OF CDBABY.COM
(This is the big day - make a note of it somewhere.) Thursday, December 25th 2008 Link - aquaplanage
|CD Baby REVIEW
Progressive rock is tough to pull off. By its nature, the genre
requires more players than the average band, and with the chops it
takes to successfully fulfill the requirements of the oft-complex
arrangements, there's plenty of room for error. This London group has
been at the prog game for a while, with some of the core members
having cut their teeth in a celebrated Yes cover band. It must have
been great practice, because this, their debut of original material
(which has been years in the making), is classic rock prog done right:
the time changes are challenging, the layers of instruments are
distinct but cohesive, and the vocal harmonies are spot-on, serving as
one more instrument in the already impressive arsenal. If there was
any doubt as to the level of ambition invested in this record, the 15
minute-plus opening track, "Ode to Grey Mornings," is clear proof that
this is no band of amateurs. It's a huge song, twisting through
various sections while never straying too far from the initial intent
of the track. And that's just the beginning. If you're a fan of Jethro
Tull, early Genesis, and, of course, Yes, you'll definitely want to
check this out.
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Dark Peak Productions
Aquaplanage are pleased to announce a collaboration with Dark Peak Productions http://darkpeakproductions.com/ . This has secured a supply route for Aquaplanage CDs for Eastern Europe and the Far East.
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Fragile - Warm Up Date 18th January 2009
Fragile, Europe's Premier Yes tribute band are launching their 2009 activities with a warm up date at St Mary's Church Speen near Newbury on Sunday 18th January at 4.30pm. This will be a progtastic event, rekindling memories of Rick Wakeman doing similar things in the late 70s. There's even a holy well there. See www.yestribute.com for more details and other 2009 dates.
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17/01/2009: International Aquaplanage
Within a month of the release of the Aquaplanage album and without the main promotional campaign having started in force, Aquaplanage has already gone around the globe, mainly thanks to word of mouth and online selling. At present, there are copies in the following countries, and the list grows daily:
United States of America
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04/02/2009: Review by the Dutch Progressive Rock Page
from Aquaplanage review on the Dutch Progressive Rock Page by Geoff Feakes:
got to admire Aquaplanage for their bravado proclaiming this self titled
debut release as "The next classic prog album". But then again
they should know their progressive chops being a side project of Yes
tribute band Fragile who’ve been active in the UK for the past 10 years.
proceedings with the album’s obligatory epic length piece Ode To Grey
Mornings. Divided into five distinct but harmoniously integrated
sections it showcases the bands melodic and readily accessible sound. Innocence
is a pastoral excursion into prog-folk territory guided by acoustic
guitar, flute and multi part harmonies before Pleasure’s Mine
takes a sharp left into King Crimson terrain with jagged Adrian Belew
inflected guitar. The mellow The Journey features some wonderful
guitar picking and wistful vocals in the style of Strangefish’s Steve
Taylor before the jubilant Rebellion with its Hackett flavoured
melodious guitar, rumbling bass pattern and fuzzed Hammond solo. The
finale Wiser builds from ambient electronic beginnings into a
confident guitar and synth melody with Carney adopting an early Marillion
era Fish vocal tone.
Sands Of Time is
full of Eastern promise with its ethnic chants and colourful
instrumentation in the spirit of Led Zep’s Kashmir. Illesh
provides a fine orchestral arrangement making good use of the guest string
section. Nature's Sunday is a song of two contrasting halves
beginning with a tranquil guitar, piano and vocal lament reminiscent of
Genesis circa Nursery Cryme before morphing into hard rock section
complete with in-your-face guitar histrionics. Written by Hunt, Solara
is a keyboard delight complete with fast but melodic Emerson style piano
flurries, gothic pipe organ and Wakeman rich synth noodlings. It concludes
with a dreamy Vangelis influenced synth soundscape straight out of Blade
Appropriately, the albums title track Aquaplanage is also its strongest. Composed by Illesh and former Fragile keys man Gonzalo Carrera it features counterpoint acoustic guitars with delicate violin and flute embellishments. There is an air of Hackett at his most languid here together with shades of Oldfield particularly in the classical guitar work. Shimmering strings provide the icing on the cake.
have certainly gone to a good deal of trouble to produce an album that
runs a gamut of styles without once challenging the listener’s
involvement. Given their background they should also be applauded for
avoiding what would have been the obvious Yes sound alike route. This
release comes packaged in some very nice artwork from my favourite album
designer at the moment Ed Unitsky plus meticulous production values
courtesy of chief protagonist Robert Illesh.
the full version, please visit http://www.dprp.net/reviews/200905.php#aqua
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14/03/2009: Album Review in Musicians Magazine
has just received a stunning review in Musician Magazine, the Journal of
the Musicians Union. Here is the full text:
"Aquaplanage: Life-affirming prog rock from a six piece who wear their 1970s influences on their sleeves, yet mould these timeless traces of vintage British ventures into their own musical landscape of excellent dynamics, stunning solos and consumate lyrical expression. Ode to Grey Mornings is set to be a prog classic, as its 15 minutes and five sections find superbly-produced lead and group passages, plus flute and sound samples delivered in brilliant succession. Anyone seeking a modern edition of Genesis's Selling England By The Pound, Jethro Tull's Thick As A Brick or Yes's Close To The Edge should grab every opportunity to catch this band. A simply tremendous album."
(From the Spring 2009 edition www.musiciansunion.org.uk )
04/04/2009: Some More Reviews
As the album gathers momentum, more and more positive reviews are being made worldwide.
The first one is from www.znrcds.com who are Prog music specialists based in Kentucky USA:
Absolutely beautiful CD! Hints at Yes, Camel, Anthony Phillips and, more recently, The Flower Kings & Thieves Kitchen. Beautiful guitar playing, both acoustic & electric, and real nice orchestral arrangements highlight this fine disc. Singer Steve Carney sounds SO much like Jon Anderson at times that it is positively eerie! (Yes should've gotten him to stand in for Anderson on the recent tour!) Nice melodies sung & played with great transparency & interspersed with fine instrumental sections in the best symphonic prog tradition! Parts of this really sound like the perfect marriage of Yes' "Awaken" with Genesis' "Blood on the Rooftops'! OK, no new ground is broken but still this is one fine album! Fans of the genre will not be disappointed at all!
The next one is from http://www.missingpiece.net/ a very Prog friendly website:
the next great new progband! Aquaplanage hail from London, and some of the
members have a background in a Yes cover band, which of course is a great
practice to a prog musician. Now they have come up with original material,
and not only are the songs very good, and very well performed, they are
also very original. A part from the obvious Yes influence, you can also
hear quite a lot of Kansas, old-school Genesis and Jethro Tull. A very
interesting new band with a very strong debut album! HIGHLY RECOMMENDED
link is a review from a Belgian website and is in French:
Click here for Belgian version
Pascal Laurent 4 stars
Music in Belgium
We are in the presence of their first album which begins with the very large 15 minute “Ode To Grey Mornings”. Very progressive, beginning with birds, guitar-flute, beautiful harmonious voices, a little like if Crosby, Stills & Nash accompanied Jethro Tull. The next passage more dark aka King Crimson, then the calm after storm where choruses begin again. A part of piano pointing out “Awaken” making place with final chamarré especially from the point of view of the guitars evoking in turn Robert Fripp, Steve Hackett, but especially Steve Howe. In places the voice evokes Jon Anderson. A piece of traditional progressive rock, perhaps not very original, but it does not matter, it is very good.
It is to be explained if I say to you that Aquaplanage is a musical project resulting from Fragile, which had recently the honour to turn in the company of Steve Howe (having passed by Spirit of 66 in Verviers). I was unaware of it with the first listening and so much better, that enables me to deliver more neutral impressions. The musicians of Fragile had the idea to create and record their own music at the time of a voyage in… Belgium! Let us cease this digression, but the presentations had well to be supplemented.
“The Sands of Time” continues in a more original way, with Egyptian instruments, a beautiful bass line recalling the large albums of the beginnings of Marillion with guitars to Howe on one side and Hackett on the other. The oriental party gives a small Robert Plant side which is far from being unpleasant, that swings very well, really pleasant. This stage, and by taking account of the membership of the musicians in Fragile, one can already note that the group has the good taste to avoid the plagiarism of Yes - Steve is singing with his voice without imitating Jon Anderson.
“Nature’s Sunday" begins a little more in the Andersonienne-Howe-Yes line, arpeggios of guitar punctuated by harmonics way of “And You And I” but a little softer. One awakes while entering the heart of the piece, much nearer to Deep Purple than of progressive rock, and one finishes as one started.
Two instrumentals follow, “Solara” dominated by the keyboards (it is Max Hunt who wrote it). Virtuosity with the piano in entry, organ and emphases (all Wakemanienne), to return to the subtle simplicity of the piano in Erik Satie – pretty! “Aquaplanage” then, acoustic guitar ahead (compliments of Robert Illesh), Asian environment, pointing out certain nuances of Steve Hackett or California Guitar Trio, releasing, melodious, really pleasant!
Now to the more unspecified part of the album, “Heaven’s Gate”, ballad style Genesis of the Eighties, Steve Carney singing like Jon Anderson. In “A Song To Stand Above Them All”, they flirt with the style of FM, Asia or Foreigner, played well. A return to instrumental acoustics with “Theme”, also pretty like “Aquaplanage” and they finish with “One Star” a Christmas pop-ballad.
A very interesting album. Why not round off, by including some renditions of Yes?
The Aquaplanage project holds the road, we await the next opus.
An finally for
our Polish friends (and we have many):
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12/04/2009: Aquaplanage Interviewed on Total Rock Radio
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04/05/2009: Album review in Classic Rock (Issue 131)
We missed the boat again and found out that there was an album review in Classic Rock in issue 131 - 7 out of 10! Direct scan below but there will be an even more exciting announcement soon about the next issue of Classic Rock Prog magazine:
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13/05/2009: Breaking News - Aquaplanage to be Featured in Classic Rock Presents Prog
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Review by Music Guru Jeff Perkins
Aquaplanage gets a roaring thumbs up and seal of approval by music writer
Jeff Perkins. The review is so good we have reproduced it in its entirety
I have just had my faith in progressive music restored. Aquaplanage may be a
sign you see on French or Belgian roads warning you of heavy water on the
surface, but from now on every time I see it when out driving I will think
of this superb album.
Rising out of Fragile, the highly regarded Yes cover band, Aquaplanage have
delivered an album worthy of the term progressive whilst staking a place
within that timeless labyrinth of musical magic. Fragile toured with Steve
Howe, no less, and gained the enthusiastic endorsement of Rick Wakeman. Yes,
excuse the pun, they're that good.
A few years back as they drove across a rain drenched motorway to a faraway
gig they saw the sign that eventually inspired this album. Written,
developed, and, dare I say, perfected over a number of years Aquaplanage
embraces the finest traditions of classic prog rock.
In the excellent multi-sectioned opening track "Ode To Grey Mornings" I can
hear splashes of Aqualung era Jethro Tull, a touch of Selling England By The
Pound Genesis, set amid a reverent nod towards Yes, from the Fragile period
That said, this is a band that brings a whole lot more to the table and
serves up an album that is rich in quality, impact, and sprawling
soundscapes all of their own. Magnificently produced and expertly performed,
it draws the best from all of those sources and adds enough fresh
individuality to bring it home onto solid ground. It's a remarkable and,
regrettably, all too rare achievement.
The absorbing opener, divided into five sections, effortlessly locks you in
for a full fifteen minute journey. In the early stages Tull meets Crosby,
Stills and Nash in a superb scene setter.
The wondrous Middle Eastern vibe of "The Sands Of Time" swirls from the
speakers in a sonic representation of its title. This is Aquaplanage in its
own highly coloured coat and those previous attachments to Yes are all but
buried beneath the Egyptian sand dunes it magically conjures up. 'We become
the sands of time' sings Steve Carney in a sentence radiating life's
Herein lies the very essence behind the project. The band's promotional
material sent with the album say, 'we are born and we die. These are the
absolute certainties of the human condition. But in between we take a
journey, a winding path of experience and knowledge. The road is uneven and
we are required to navigate the storms of our own unique stories. How we
chart our course through this personal landscape defines the very story of
our lives. This is the Aquaplanage'. Epic stuff.
Such a mighty statement would look somewhat limp set aside an album that
failed to meet such a huge claim. However, this one undoubtedly does and as
a result such grandiose thinking sits comfortably alongside the scale of the
music on offer.
"Nature's Sunday" eases in beautifully before opening out with some
excellent guitar playing. The instrumental keyboard led "Solara" twists and
turns before leading nicely into the title track itself. The musicianship
and writing are both exceptional as they are throughout the album.
"Aquaplanage" continues the instrumental section with gorgeous acoustic
guitar and a gentle breeze of musical sounds. It's a simply exquisite track
performed to perfection and eases us onto "Heaven's Gate" a song rich with
thought provoking lyrics that encompass the statement of earlier. A driving
"A Song To Stand Above Them All" takes us onwards to "Theme" another
delicate instrumental offering. "One Star" completes the journey with a
nicely uplifting finale.
There is a danger when making comparisons to the great and good legends
mentioned above of failing to convey the genuine creativeness of the band
Aquaplanage explain it better themselves by adding, 'it is true to the
original script of progressive rock and the influences are there to be
heard. However, it is much more than a nostalgic reflection of a golden age,
and in truth Aquaplanage sets a different tone for the genre's contemporary
That tone has most definitely been set. For a look and most importantly a
listen please log on to the bands official website.
Jeff Perkins is a writer who lives in France. He writes CD/DVD box sets,
music reviews and has had a book published about David Byron of Uriah Heep.
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28/06/2009: Review from Background Magazine
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11/12/2009: Aquaplanage Xmas Madness!!
For this month only, December 2009, not only are we dropping the price of CDs ordered direct from us to £7.98 (including free postage and packing worldwide), but upon payment, you will also receive a link to download a free Aquaplanage Xmas bundle, comprising an MP3 of the definitive radio interview of members of the band! There’s also a nice picture of Tom you can cut out and use as an Xmas dinner place card. You can’t say any more than that! Festive cheer to you all!
Click on the following PayPal link:-
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Aquaplanage from the Female Perspective
“Aquaplanage” is a labour of love for a dedicated group of artists
originally calling “Fragile“ (an enduring Yes tribute band) their
musical home base. The seeds were planted as ideas and sketches of songs
several years ago among the band, nurtured, and developed, culminating in
its release in December of 2008.
“Aquaplanage” has all the elements of a truly progressive rock venture
- ethereal musical landscapes, beautiful and challenging guitar riffs,
rhythm and mood changes, lilting keyboard and synthesizer, and poignant
lyrics beautifully sung, all nicely rolled up and served in 9 tracks.
I would like to interject a bit of advice at this point. I would recommend
that this album be listened to at least once with headphones on. I usually
use music as a soundtrack for my day, playing in the background, to
accompany my daily chores, errands etc., and have done so with this CD as
well, but in order to really hear the beauty of this project, headphones
are a must. There is so much going on here, blending in perfectly for the
overall effect, that when heard with the headphones, really shine,
particularly the flute, the strings, and the harmonising vocals.
“Ode to Grey Mornings” is an epic piece, consisting of 5 distinct
sections: “Innocence”, “Pleasure’s Mine”, “The Journey”,
“Rebellion”, and “Wiser”. At just over 15 minutes in length, it
could have become tedious, but throughout, the emotions and music ebb and
“Innocence” is a sweet starter with smooth harmonizing vocals,
bursting into action with “Pleasure’s Mine”, with twisting passages
of guitar and synthesizer and staccato drums, before calming down again,
with “The Journey”. The voice and bluesy guitar here are a nice
interlude, before picking up the pace again in “Rebellion”. I love the
bass and guitar interaction here, nicely balanced by the drums and
keyboards. There is so much going on…but not confusing or chaotic at
all. “Wiser” gives a feeling of completion or closure, re-visiting the
initial theme with the lighter harmonies and mood.
I have to say that the guitar is phenomenal in this piece, dominant at
times…but then the bass emerges and takes the lead. I think that it is
the unique ability of each member to be able to take control of the piece,
then know when to let go and let another take over, that makes
“Aquaplanage” work so well. Everyone gets their chance to shine.
"The Sands of Time” seduces us with voices, instruments and a
dominant middle-eastern feeling, weaving a sensual tapestry of vibrant
“Nature’s Sunday”, starts as a soft break from the musical
inundation thus far. A nice bit of light fare in the banquet; a chance to
take a breath and listen to the artful blending of guitar and Rob
Illesh’s velvety voice. The feeling builds, joined by the piano and
drums, however, just as you get comfortable, the pace picks up. The vocals
change, and the keyboards and driving guitar take the lead, evoking a
distinct contrast and ebullient feeling, before quieting down again,
returning to the flute, guitar, and gentle voice, bringing it full
“Solara” is a thoughtful piece, reminiscent of those early progressive
keyboard interludes. It begins with a nice clean piano, transitioning to
organ, with synth sounds twisting and folding among themselves, reverting
back to the piano. There is a sweetness - dare I say innocence in this
piece, that makes me feel very quiet and contemplative.
“Aquaplanage” the CD’s namesake, strikes me as a melancholy piece.
It speaks to me of a time, or of a love lost. Of wishing that something
were different. Of reflection. It is light and delicate; the strings
(especially the cello) and the guitar further enhancing the reflective
mood here. Lovely.
“Heaven’s Gate” is a beautiful ballad, where Steve Carney’s voice
is highlighted, and he is superb. Skillfully backed by gentle piano in the
beginning, building, with a nice guitar bit at the end, the lyrics and
overall feeling have struck a chord in this incurable romantic’s heart,
making it my favorite piece here.
“A Song to Stand Above them All”, is a boisterous, upbeat anthem to
music. It gets a bit jazzy around mid-point, and ends on a nice positive
“Theme”, another instrumental, showcases the light and lilting guitar,
nicely interacting with the keyboards, finishing very sweetly and clean. I
remember hearing of an original composition that Fragile did years ago
called “Theme”, but I don’t know if it eventually evolved into this
The finale of this CD is a Christmas gift for us from the band in the form
of “One Star”. It is an uplifting song of hope; I love the flute,
percussion, and strings in this. The vocals are clear, and bright, and I
found myself joining in for the chorus. This is a song that I’ll be
playing for many Christmas’ to come.
“Aquaplanage” is truly a feast for the eyes, as well as the ears. The masterful artwork of Ed Unitsky paints a colorful and imaginative canvas of feeling throughout, from the cover and leaflet, to the back insert, and even on the CD itself. The front piece artwork consists of a series of spheres, appearing to be a succession, or evolution of images, culminating in one of a perfect, flawless, brilliant diamond. “Aquaplanage” is that diamond, brilliant - and beautiful.
Op de Beeck
me from tenderness to stormy, within, up and down, sometimes in one
moment. Brings me back to past times but also to the Nature Elements.
Definitely a feeling of the Baroque…
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